OCTAHEDRON pillow pattern RIBBED ROMAN SHADES course update new DESIGNER WINDOW FASHIONS book BEHIND THE SCENES of a drapery workroom CHANNEL BACK CHAIR online course first place VISION design award BATIK dyeing celebration
September/October 2020
Scroll to read full article This article first appeared in Laura's blog which you can read here. You've just redecorated a room; you've got floor coverings, furniture and accessories in place. What's next? The right window treatments to bring continuity to the room. They coordinate the textures and colors from the floor and furnishings to the walls. The right window treatments can finish a room the same way the right accessory or shade of lipstick complete an outfit or look. You choose beautiful custom window treatments that frame and enhance your windows. They provide privacy or light control when needed and this is now your favorite room in the house. The scene mentioned above doesn't happen overnight or come from a big box store. Similar to June's blog about slipcovers, this month I'll be sharing the benefits of custom window treatments and behind the scenes look of how they are made. Custom Window Treatments vs. Retail: What's the Difference? We all know in clothing that one size does NOT fit all! The same is true for window treatments from a big box store. The standard sizes are 54” wide by 84” or 120” long. If your window is wide or tall (or short) the chances those packaged panels are going to look right are slim. And if you have more than one window in a room? The pattern on big box window treatments are rarely in the same place from package to package and the flowers, stripes, or shapes won't be aligned. Custom window treatments are made for YOUR windows. Many clients have told me that they wish they'd contacted me sooner for custom window treatments as what they had bought "off the shelf" just didn't look right. I'm often asked why custom window treatments are expensive. While there are many variables that affect the cost such as fabric and hardware, time is the key factor. It takes time to get size, proportion and proper pattern placement right. Correct proportions and pattern placement are not happy coincidences. I put much time and consideration in each window treatment order. In fact, the “easy” part is often the fabrication. On almost every order I will spend time planning where and how the treatments will be installed and draw renderings to scale to be sure everything will look just right. Hours may be spent deciding where motifs (patterns) will go on a window treatment before I take scissors to fabric. Centering flowers or birds, balancing stripes, or pinning in pleats to see how a panel will look are a part of this process. One client preferred birds to butterflies in a pattern so I made sure to highlight the former in her valances. These details make gorgeous custom pieces and account for the difference in price but are well worth the long-term investment in quality and longevity .Don't spend money to save money. Spend wisely. How Custom Window Treatments are Made Step 1. Window Treatment Consultation No matter if I’m working with a designer or directly with a homeowner, the first step is often a phone call. I like to talk to people to learn about their needs, space, and what they have in mind. When I work with a designer, the initial consultation has usually been done. I may be called to take measurements, or discuss how the window treatments will be used, where they will be installed, and go over the fabric choices and lining needs. Sometimes the designer has sent me a sketch of an idea and is calling to consult with me on on the best way to carry it out. With a homeowner, we’ll talk about their space, their needs, and what styles or colors they have in mind. I’ll then know what fabric samples to bring and design ideas to show them. Step 2. The Raw Goods The next step is waiting for all the materials to arrive: fabrics, trims, and hardware. If the items are in stock, they may arrive quickly. If not in stock, custom hardware for example, it may take several weeks to deliver. Silks from India or linens from Europe may take longer as well. I don't promise a delivery date until I have all necessary items in house. Step 3. Quality Inspection As items for an order arrive, I inspect all of the packages. For fabrics and trims, I check the yardage, pattern and color. For trims, I look for splices. If there is a splice, I mark it and plan my cuts around it. I check through all of the hardware and make sure it is the correct finish, the rod is the right length, and there are enough brackets and rings or carriers. If something is missing or is wrong, I quickly work on correcting it. Step 4. Pattern Placement & Cuts Careful consideration goes into pattern placement on all treatments. For Roman shades, I’ll fold the fabric as it will be in the raised position to check that the pattern looks just as good as when the shade will be lowered. I'll also look at the where the pattern falls at the top 12 inches where the shade remains flat. I use a similar method for valances, making sure the pattern is centered. On panels, I’ll not only make sure the pattern flows evenly from one panel to the next, but pin in pleats to know what the finished look will be. Pattern placement is determined before the first cut is made. Measure twice, cut once! Step 5. Tabling After the fabric has been cut and all pieces are labeled, I’ll get the work table ready for fabrication. A grid is laid out for the finished size Roman shades or a clamping system is attached to the table for panels. The grids are used to be sure the shades will be square and the correct size when finished. The clamping system holds the bottom of the panel in place to get the correct finished length. Both increase efficiency and save time by eliminating walking around a 5’ x 12’ table. Step 6. Sewing & Stitching For almost every item, I work bottom to top. The bottom hem is the first place to begin followed by the side seams. Hems are either hand sewn or machine stitched depending on the item or fabric content. The top is finished last and where I check for correct finished length. If a banding, braided trim, or other type of trim is to be included, they are also either hand or machine sewn in place, usually before the hems. Step 7. Folding Once an item has been completed and the finished length and width has been checked, I’ll raise Roman shades to the “up” position and flat fold or fan fold pleated panels. This helps eliminate wrinkles during transportation and helps train the fabric to look good in both open and closed positions. For linen fabrics, I flat fold to eliminate sharp creases. Step 8. Packaging with Love To keep all window treatments in pristine condition until installation, they are packaged in plastic bagging which I reuse as many times as possible.. This protects them during transportation and handling. All packages are labeled along with parts or hardware needed. Step 9. Delivery and Installation Final step: delivery and installation! I personally deliver the window treatments, assist my great team of installers, and stay until everything has been completed. Since I love the big reveal, I prefer that clients are not in the room until all has been installed. The last thing I do before leaving is go over the care and operation instructions with the clients. There are instances when designers pick up their window treatments directly from my studio. In those circumstances, I include detailed installation, care and operation instructions. The photos below show treatments I made for a beautiful French Country kitchen. After shades were installed, I went over the operating instructions with the homeowner and care instructions for the fabric. What would your most beautiful home look like? I put the same amount of care into each order as I would if it were for my own home. I know how important it is that a piece fits the decor, fills privacy needs, and works properly. The best part of my job is creating things people enjoy. Custom window treatments make a huge difference in how people view and live in their space and are worth the investment. Even better, they last! Ready for custom window treatments that will make you fall in love with your home again? I'm here to help. Contact me to start your consultation. Laura Nelson is the owner of Sew Nice located in Indiana and has over 25 years of experience. Laura specializes in fabricating window treatments, slipcovers, bedding and pillows. Laura is a WFCP Workroom Specialist and a member of WCAA, currently the program chair for the Indiana Chapter and Secretary for the Board of Directors. She has been an instructor at CWC and writes a monthly blog, www.sewnicecreations.com. You can follow her on Facebook (lnelsonsewnice) and Instagram (sew_nice)
Behind the Scenes of a Custom Drapery Workroom by: Laura Nelson
Want to be featured in a future issue? Use #csfrl to make sure you get noticed. Sep/Oct 2020 Instagram Contributors: Diana Hershey - @dbh.designs Jennifer Assetto - @inthefringe Tres Joli Designs - @tresjolidesigns Jessie Lee Miller - @winstonsworkroom Terry Sandlin - @terryswindows Amanda Smith - @sewunordinary Hallie Meschter - @sewhallie Jennifer Csanyi - @jennifers_sewing_studio Patti Ayers - @pillowsandpleats Kate Winton - @katewintondesigns Gillian Wendel - @thewendelworksdesignanddrapery Rose Mary LaBlanc - @rmlcustomhome Nancy Letts - @pinehousedrapery Note: using #csfrl implies permission to use your image in the Drapery & Design Digital Digest with photo credit and Instagram link.
OCTAHEDRON Pillow Pattern
Scroll to read full article. The Workroom Marketplace is happy to introduce the first pattern in our new line - TWC Sewing Patterns. The Octahedron Pillow is a uniquely shaped pillow with eight equal sides and six points. This pattern will make a 12” tall pillow. Watch Laura Nelson, owner of Sew Nice demonstrate the creation of an Octahedron Pillow from two triangle cuts. Want to make this clever pillow yourself? Purchase the sewing pattern with complete written instructions through The Workroom Marketplace and receive $5 OFF through October 31st. Enter code PILLOW5 at checkout. Laura Nelson is the owner of Sew Nice located in Indiana and has over 25 years of experience. Laura specializes in fabricating window treatments, slipcovers, bedding and pillows. Laura is a WFCP Workroom Specialist and a member of WCAA, currently the program chair for the Indiana Chapter and Secretary for the Board of Directors. She has been an instructor at CWC and writes a monthly blog, www.sewnicecreations.com. You can follow her on Facebook (lnelsonsewnice) and Instagram (sew_nice)
Available now from Use code PILLOW5 for $5 OFF offer valid until 10/31/2020
Begin with the End in Mind for Your Design Business Michele Williams
Click to listen to the PODCAST
Scroll to read full article This article first appeared in Michele's blog which you can read here. Years ago, like more than 25, I was given cassette tapes for the 7 Habits of Highly Effective People by Steven Covey, at work. All the managers were given a set and asked to listen. This was way before audible or other ways to stream online, of course. So, I began listening. I can tell you that even today, this is a book worth spending your time reading or listening to. The 7 habits are this: Be Proactive Begin with the End in Mind Put First Things First Think Win-Win Seek First to Understand, Then to Be Understood Synergize Sharpen the Saw You may have heard me mention number 5, seek first to understand, then to be understood, on numerous other podcasts. While we are not focusing on that in this podcast, keep it in mind as we talk about number 2, Begin With the End in Mind. When I was in college, one of my professors in my information systems class was sharing with me, and he said to me, “Michele, you have an ability that not many people have. And that ability is to equally assimilate and disassemble information.” I had to do a little digging to really understand what he was telling me. To assimilate is to take in information and understand interconnections. I had not completed Strengths Finder at this point, and now I know this is close to my strength of relator. Putting things together to make the whole and to see a picture of what is being constructed. To disassemble was to see the whole and break it down into its parts. These abilities have strengthened my businesses over the years. This has explained how I could see a window treatment (remember those layers of valances and pieces and parts back in the early 2000s) and know each piece that made up the final product. And it explains how I look at a business and see the pieces and parts and can quickly identify what is working and what is missing. My guess is each of you is able to do one of these, if not both. Learning to fine-tune these abilities will help you drive your business forward and look at it critically with a mental step outside of the day-to-day. Now, let’s take this book and connect it to these ways of looking at a business – to build it, and to take it apart. Our focus is on this second habit of beginning with the end in mind. And let me tell you, this is a game-changer in and of itself. It has changed my personal life and my business life. I use this way of thinking daily as I support businesses scaling up. Imagine for a minute that you were going on vacation. Usually, unless it is a spontaneous, let’s just do what comes next kind of trip, we would choose a location and make reservations. Then, we would get our travel plans together and make arrangements to care for our home or pets, pack our bags, and go. Notice – we began with the end in mind. The end was the destination. We were clear about where we were going. When people call me and tell me all about their business and how they are not where they thought they would be, even if their business is doing well, we often think of it as packing for a trip to Alaska and ending up in Hawaii. Both are beautiful, but the needs are quite different. When scaling a business, it is best if we begin with the end in mind from the out-start. This means, as much as possible, answering the following questions early on. Know that the answers may change over time, but do your best to be as clear as possible in the build phase. Do I ever think I want to build this business to sell? Do I want my name attached to this business forever? Do I want a staff/team? How big is big enough? How much money do I want to make? How many hours do I want to work? What do I want my life to look like? What do I want my business to look like? While some of this can be determined as you go along, imagine the choices you might make if you took the time to think about each of these before you started to build. Let me give you a real-life example that I used with my sons. When they entered high school, we started talking to them more about college. Was it for them, did they want to go, what might they want to do. Then, we helped each son identify where they wanted the chance to apply. And we researched each college for freshman requirements. This could have been courses they had to take, grades, SAT and ACT scores, etc. We put it all into a spreadsheet and agreed that if they wanted to be able to have the ability to apply to each of these schools – I think they each chose 4 – then we needed to build a schedule for the next 4 years that was inclusive of all the requirements at each of these schools. We used this plan for the future to make choices for each school year. We also made a poster with the school logos, mascots, pictures, etc. on it. And we put this on the door of their bedroom. Then, as we moved through the tough times of high school and the boys would complain – we would point back to their poster and remind them that they were working for the opportunity in their future, not just for today. This really put their mindset in the right place and gave them the courage and encouragement to keep going. Each of my sons was able to apply where they wanted at the end of these four years. Here is another life example. I realized early on that if I had a tough conversation to have with someone I loved (insert hubby and sons, friends or parents), and I just started talking and plowed through – rarely was the outcome what I desired. Because, in the moment, I let my feelings take over and found myself deeper in an argument than I ever planned for. I was not seeking first to understand and then be understood (remember habit 5). Instead, I was looking to just get them to think like me, agree, and move on. Once I learned to strategize (another of my Strengths Finder top 5 strengths) about what I wanted as the outcome – and really thought about what the other people involved wanted as well, I was able to plan a conversation in a way that moved us towards that goal. Tough, difficult conversations, while still tough and difficult, became a win-win (habit 4) because I was envisioning us on the same side of the table working towards the same outcome. When I realized that our end in mind was not the same and could not be the same – it made me consider my next steps very thoughtfully. Now, what does this have to do with business? Maybe you can already see the parallels. Building a business of intent is just this – thinking about your end game before you are there. When we strategically consider our business, we are building a business by planning and moving forward intentionally in a direction, instead of always a take what comes our way. I have done both, and I can tell you this, I have attained more and gotten more of what I wanted in my business growth by having a clear plan for the future. Each time I onboard a new client in any of my programs, I ask them this. Where are you today? What do you desire your business to look like in 1 year, 3-5 years, at the end? Doing this exercise helps identify the delta, or difference, in where we are and where we are going. We then build to fill in those blanks. This strategy helps us decide if we should hire, who to hire, if we should move out of our home, if we should collaborate, etc. All the while keeping our Why and values in mind – we now have a strategy to use those to inform our decision making. Otherwise, we are making decisions in a vacuum. I have had clients come to me who want to sell their business and retire. Great! However, they did not plan in advance for this, and the work necessary to make the business sellable will take another 2-3 years to execute. And they want out now. You can see how that does not fit well together. Once you consider your end, let it affect your planning for today. Now, let’s move this to a tactical level. If you are having an issue with a client’s job and it seems that all heck is breaking loose and everything touched is falling apart, begin with the end in mind. I have seen countless situations similar to this since COVID. What do you hope to have the end result be? What do you think your client wants at the end? Are they the same? If yes, what are you willing to do to get that outcome? What are you not willing to do? How about your client, what are they willing to do and not willing to do? This will create a roadmap for discussion. You can actually plan the conversation to guide you both to the end result. By beginning the conversation with this statement: We want the same outcome. Identify it and make sure you are on the same page. This immediately brings relief to you both. Then the exercise becomes getting to that end result. Keep going back and reemphasizing what you agree upon as you move through. When we don’t do this – the exercise becomes more about being heard and being right and less about the solution. Perhaps, this is the mindset needed when dealing with an employee situation or having a team meeting about a tough subject that needs to be addressed. I cannot stress to you enough how beginning with the end in mind will alleviate many stressors and can rewrite, for the positive, the stories we tell ourselves in the midst of a crisis or problem. Try it. Begin with the End in Mind. This is a mindset and strategy I teach my clients in my AIM with Intent methodology. Because we are not just building businesses as they come, but with strategy and intention. We are building with the end in mind. And know this, we may not all have the same idea of the end – and that is totally okay. Identify yours and build to it. If it changes, accept that, fill in any holes, and keep building. If you need assistance, reach out at Scarletthreadconsulting.com and book a discovery call. Work with intention because business and profits don’t happen by accident. Michele Williams is the owner of Scarlet Thread Consulting. Using her software development and interior design business background, she empowers her clients to charge what they are worth and to have confidence in their financials. Michele is a Profit First certified coach focused on the interior design industry, and she hosts the popular Profit is a Choice podcast. You can learn more at www.scarletthreadconsulting.com.
Circle Time at the Library Finding Help in an Uncertain Economy: How your workroom can benefit from using a larger regional workroom. with Steve Landis and Jennifer DeRosa Participate LIVE on Tuesday, October 20, 2020 at 1pm Join the Library today as a PRO Plus Member to view past and future CIRCLE TIME events, on demand. www.curtainsandsoftfurnishingspro.org
A popular choice to provide more window and less fabric is the Custom Side Panel. MYL Custom Side Panel Program offers easy to order panels with 9 Pleat Styles. Lengths up to 115 inches with either 1 or 1/ ½ width panels. Larger panels can be ordered through our Custom COM Labor Program with lengths up to 240”. MYL Custom Side Panel Rods offer the appearance of a Floating Side Panel. For a fraction of the cost, under $40 wholesale per pair of rods up to 36” each rod. Design Consideration…Inside End Cap Options available for custom look and limit the “behind the scene” view. Normal Return, No Return, 1” – 3“ Wrap on Leading Edge, Mitered Edge with Board Mount
www.mylltd.com | hardware@mylltd.com
Side Panel Design Strategy
photos courtesy of Sheffield Furniture
RIBBED ROMAN SHADES 2020 Course Update
Scroll to read full article. One of The Workroom Channel's most beloved courses, RIBBED ROMAN SHADES has been updated! Since the course first launched in 2017, instructor Elki Horn has refined her techniques and is sharing her latest innovations in a brand new lesson entitled 2020 COURSE UPDATE. Current anytime-access students automatically have access to this new lesson added to the end of the course path. Just log in and enjoy! For new students- CLICK HERE TO REGISTER for this online, self-paced course Want to try before you buy? Segments of the RIBBED ROMAN SHADE technique are viewable for FREE as Method Shares from The Workroom Channel. Visit the YouTube Playlist below. Contact Liz@TheWorkroomChannel.com if you have any questions.
with Ceil DiGuglielmo
Podcast Roundup
I have had the pleasure of interviewing some newish colleagues recently and their enthusiasm and thirst for knowledge always gets me excited and renews my energy. Carrie Brantley has done an amazing amount in the few years that she has been in business and she's an inspiration when it comes to stepping up and joining in! Click to Listen to Carrie Kate Winton's career has taken a fascinating path and it was so fun to talk with her. Click to Listen to Kate I've also had the opportunity to talk with two people recently who are not so new in the business, but who have not let that determine their level of excitement for the business or their determination to make changes and continue being successful. Denise Canney and Peggy Morgans both inspired me to make a few changes of my own. I hope you enjoy hearing from them. Click to Listen to Denise Click to Listen to Peggy
Scroll to read full article Part MATH TEST and part WRESTLING MATCH is how instructor Cynthia Bleskacheck describes the notoriously difficult technique of channeling. It is a popular style that accentuates vertical lines and adds character to otherwise simple chair forms. When done well, this feature can highlight the expert skill of an experienced upholsterer. A solid understanding of the process is the key to success. In this detailed, six-lesson, anytime-access course, Cynthia demonstrates the meticulous planning and construction of a beautifully channeled inside back and wings of a chair and shares tips to help support mastery. Students should take this course only after demonstrating competency using a walking-foot machine, measuring, cutting, and applying fabric to several chair styles, from the frame up. This is an ADVANCED course focused only on the channeling portion of the chair. Created as an educational collaboration between the Funky Little Chair and The Workroom Channel, this anytime-access program coincides with the FLC Upholstery Training Program (UTS 430 – Channel Back Chair). For a complete list of self-paced, online courses from The Workroom Channel, click here.
scroll to read full article How Designer Keely Hersh Landed a First-Place VISION Design Award By Taryn Pearce When Right at Home Interiors designer, Keely Hersh, set about the process of transforming her client’s craft room into a bright and cheerful space, she didn’t think for a second that it would lead to an International VISION Design Award. Like many designers, her focus was on the project set before her. In the end, however, she felt her finished design was a standout that would make a great entry to the VISION Design Awards. She was right. Along with two second-place wins for other projects, Hersh took home a first-place win for her work on this design. We wanted to know what set her design apart. Here, she shares three factors she believes gave her the edge in the competition. Scroll through the slideshow to see Keely's winning room. 1. Decorative Hardware: The Diamond in the Rough As the award was for the Decorative Hardware and Trim category, naturally Hersh felt that the one-of-a-kind rods she found in an antique store in Portland, Oregon was a clear differentiator. The unusual, pretty teal rods brought a sunny disposition to the room and worked beautifully with the custom window treatments Hersh created for the space. Yet, the rods did not look like much when she found them. They were bare metal, missing parts, and stuffed in a corner of the shop. Many shoppers would’ve walked right on by the rods, but when Hersh spotted them she knew they were something special. When it came time to use the rods, Hersh had custom brackets welded up and sourced drapery rings that would fit and slide into position. That took care of the structural issues, but still left the problem of the color. 2. Sherwin Williams Paint: The Unsung Hero of the Design For the rods to coordinate with the rest of the design, the right paint was necessary. Hersh sourced the Sherwin Williams paint color “Aquarium (SW6767)” to match the rods perfectly with the teal drapery fabric the client loved. That single design decision elevated the space – and the rods themselves – to a higher level than would have otherwise been possible. Hersh did not stop there with Sherwin Williams paint colors, however. She also used their colors “Extra White (SW7006)” and “Spa (SW6765)” to paint the hand-sanded wooden beams and upper accent wall respectively. The cool-yet-bright paint choices helped to create a fun energy in the room. 3. Attention to Detail: The #1 Key to Success Hersh is known for her detail-oriented designs, and this one was no different. She carefully selected everything in the space including the matching rose cording on the roman shade and drapery edge. She also repurposed a piece of architectural art as a grate on the supply cabinet door. Nothing, right down to the opacity of the paint on the wood beams, escaped Hersh’s scrutiny. Her meticulous treatment of the room’s accent chair and matching pillow sets a pleasant, uplifting mood. The crown moulding shelf she installed all the way around the room, as well as the playful use of her client’s collection of watering cans both add to the overall charm of the space. She even had the corner cabinet hand-stenciled on the outside and inside to add a pretty floral touch to the finished room. For Hersh, the combination of Sherwin Williams paint, a keen eye for unique hardware, and close attention to detail made all the difference with this project. Her design shows us that even an object with humble beginnings can become a show-stopping centerpiece worthy of international recognition. Right at Home Interiors has proudly been in business for over 25 years. Owner and designer Keely Hersh views fabric as a main feature in home décor and manufactures your custom window coverings, bedding and room décor accessories at her in-house custom drapery workroom. As Keely says, “Excellent customer service involves taking care of my client’s project to the final detail.
www.HELSERBROTHERS.com E: information@helserbrothers.com P: 480.497.8191
Designer Window Fashions by Charles Randall available for purchase from
Donna Hovis on being featured in Charles Randall's book Designer Window Fashions
Scroll to read full article About a year ago I received an email from Charles Randall stating that he had come across my window treatment that had won 1st place in the curtains and draperies category for the 2019 Vision Design & Workroom competition. He wanted my permission to use a photo of the treatment in his upcoming book. I immediately went to my bookshelf and found some books by Charles Randall. How exciting that this was the SAME Charles Randall that had written these other great books! I emailed him the photo and he was kind enough to give me some advice on taking professional photos of my window treatments. Donna Hovis is the owner of Donna Hovis Interiors, a one woman custom drapery workroom serving Middle Tennessee. She works closely with customers to beautify their homes with superior quality home furnishings. Donna holds an Associate's Degree in Interior Design from Southern Institute School of Interior Design in Birmingham, AL. Donna loves being involved in every aspect of each project - from measuring, to designing, to fabrication and to installation.
Scroll to read full article Batik artists typically use wax to prevent dye from penetrating the cloth, leaving blank areas in the dyed fabric. The process, wax resist then dye, can be repeated over and over to create complex multicolored designs. Muyiwa Togun demonstrates his techniques. October 2nd – It was a total coincidence that the day we invited artist Muyiwa Togun to Adaptive Textiles was also BATIK DAY (Hari Batik Nasional) an Indonesian cultural day for celebrating batik. While Muyiwa's roots are not in Indonesia, he is a self-made artist and fashion designer pulling inspiration from his Yoruba heritage in producing traditional Nigerian batik and “Adire” (tie and dye) textiles, paying homage to the traditional method of African storytelling through art. He designs unique patterns for home and interior design, ready-wear clothing, and produces original artwork. Adaptive Textiles is thrilled to be working with Muyiwa to build a home textile collection for launch in 2021. Muyiwa Togun is the Founder and CEO of Roy Urban Kollection (RUK), an African textile, art and fashion manufacturer and brand. Learn more about his upcoming residency here.
Behind the COVER PHOTO
Content Coordinators
Jeanelle Dech The Workroom Channel The Workroom Marketplace Jeanelle@jeanelledech.com
Ceil DiGuglielmo Curtains & Soft Furnishings Resource Library Sew Much More Podcast Ceilwdi@gmail.com
Love this e-pub? Don't miss a single issue!
September - October 2020 photo credits: Felix Agosto, The Workroom Channel Keely Hersh, Right at Home Interiors Laura Nelson, Sew Nice Michael Meeks Photography Donna Hovis, Donna Hovis Interiors
FREE SUBSCRIPTION
The Drapery & Design Digital Digest is the result of the collaborative efforts of The Workroom Channel and the Curtains & Soft Furnishings Resource Library. Our mission is to showcase the outstanding work of custom home furnishings professionals, spotlight quality products, and share educational resources. Layout Editor: Liz Kelly, The Workroom Channel